Dixie Chicks, Taking the Long Way, Review Reprise fom June 2006

I wrote this first in June. Present comments are in brackets.

Bad news today [June 2006] about the upcoming Dixie Chicks tour. Ticket sales are sluggish, and some of the dates and venues may have to be pulled. They are scheduled to play here October 22nd. I’d like to go, so I hope this is not one of the venues pulled.

I bought their new CD, Taking the Long Way, a couple of weeks ago. The CD consists of fourteen songs all written by the Dixie Chicks with some helpers here and there.

Based on their original songs from their last CD, I am all for a CD of their own songs. I think they are terrific song writers. In fact, musically, Taking the Long Way is a superb piece of work. I have no idea what genre to call it. It’s not country, not really rock or pop, not blue grass. Maybe some sort of folk/country/pop/rock fusion. But I’ve never cared about genre types really anyway.

There are enough melodic hooks, unexpected but cool chord changes, surprises as to where you think a song is going, to cause me to expect to enjoy the CD for a long time to come.

Their single, which I heard them do on Leno or Letterman, is Not Ready to Make Nice. It is basically a middle finger to the country music powers that be, and the fans who got on their case after Natalie Maime’s comments about President Bush while they were on tour in England.

I admire their spunk. Not being a fan of the Country Music Establishment I don’t mind their rebellion against its rules and standards. Good for them.

Not Ready to Make Nice is not even in my top five favorite songs on the CD. As of today I’d go with Baby Hold On as my favorite, Easy Silence second, Everybody Knows third, Bitter End fourth, and The Long Way Around fifth. But I expect that to change as I listen to the CD more and more.

I think the Dixie Chicks are simply great musicians and songwriters.

I also think they have been really stupid, and have dug their own grave to a great extent. [well I guess Hollywood put Nasville in its place Sunday night!]

The crack about President Bush made in England before an adoring British anti-war crowd was just a cheap shot, and that it was taken out of country at the beginning of the war justifiably rubbed people the wrong way. Their upcoming concert was mentioned at the Chris Daughtry show at Grimsley Stadium and there were resounding boos. I don’t think those folks were all Republicans.

I really don’t think most people care what Natalie Maime’s personal view is of the war in Iraq or President Bush. She is hardly uniquely qualified to offer intelligent commentary. She is free to run her mouth as she sees fit. [She ran it too much at the Grammys] People are free to buy their CD’s and go to their concerts as they see fit.

The Dixie Chicks should incorporate their thoughts about life and the world – and the war – in their art, in their music. They do this to some extent in "I Hope" which I find to have a hopelessly naïve “why can’t we all just get along” message, but I still like the song. I just don’t think political commentary, even in music, is their strong suit. And I am a fan of good protest music, even when I don't agree with it. OK, so I miss the sixties. [and seventies already...War Pigs and all!]

Much of the CD is about how they have dealt with their fall from grace. There is too much of it for my taste. I think the over focus becomes self indulgence. It focuses attention too much on their own struggle with their fans and with country stations when there are simply too many other things to write about. Yet, existentially, they have been living in that struggle, so it is no surprise that they would write something about. Just too much I think.

What I worry about is that the buying of their CD’s or the attending of their concerts will be less about their music and more about whether people agree with or disagree with their political stance. I think that would be a real shame.

Having said all that, I will keep enjoying the CD for its musical excellence, and if I have the money I will go see them when they come here, if they do. And, again, I admire their grit.

Mostly I admire their music making. I admire their genre busting. I admire their musicianship, and that of their supporting cast. I just wish they would change the subject a little bit.